2012/05/a4c5a_cute_31qydPSyV2L._SL160_

Two Peas in a Pod Salt & Pepper Shaker Set, Magnetic, Green & Pink Ceramic

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Two Peas in a Pod Salt & Pepper Shaker Set, Magnetic, Green & Pink Ceramic

Overview: This 3-piece set includes salt shaker, pepper shaker and a dish to set them on. These peas are just adorable with their rosy cheeks and tender expressions. Great gift for a couple in love.

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  • Size: Peas – 1 3/4″, dish – 5″ long
  • Green with pink cheeks
  • Ceramic
  • Magnetic to keep them in place!
  • Gift boxed – ready for gift giving

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2012/04/d6e96_George_Lucas_51ZGS8BGXPL._SL160_

The Cinema of George Lucas

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The Cinema of George Lucas


Overview: Marcus Hearn analyzes Lucas’s journey as a director over four decades whose innovative pickups achievements and creation of abiding mortals mythologies have forever changed both film and field fiction. as well as his many other accomplishments in the movie industry, including the formation of Industrial Light & Magic, Skywalker Sound, and LucasArts. The book is lavishly illustrated with many images that have never or rarely been seen, such as stills from Lucas’s pupils film, material from the director’s cut of his early subject-fiction movie, industries shots from, among others, the first Star Wars film, American Graffiti and the Indiana Jones Adventures. and behind-the-scenes photos from his films. With IT wealth of new information and compelling illustrations, The Cinema of George Lucas is an essential volume for every fan and pic partisan.

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2012/05/6aff1_Star_Wars__51tQmOK3AsL._SL160_

Star Wars: The Original Trilogy (Episodes IV – VI) [Blu-ray]

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Star Wars: The Original Trilogy (Episodes IV – VI) [Blu-ray]

Overview: Star Wars: The Original Trilogy on Blu-ray will feature Star Wars Episodes IV-VI utilizing the highest possible picture and audio presentation.

Star Wars Episode IV: A New Hope
Nineteen years after the formation of the Empire, Luke Skywalker is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke’s Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of the evil Empire.

Star Wars Episode V: The Empire Strikes Back
In this installment, Luke Skywalker and his friends have set up a new base on the ice planet of Hoth, but it is not long before their secret location is discovered by the evil Empire. After narrowly escaping, Luke splits off from his friends to seek out a Jedi Master called Yoda. Meanwhile, Han Solo, Chewbacca, Princess Leia, and C-3PO seek sanctuary at a city in the Clouds run by Lando Calrissian, an old friend of Han’s. But little do they realize that Darth Vader already awaits them.

Star Wars Episode VI: Return of the Jedi
(4 years after Episode IV) In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor. The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas’s original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil “a long time ago, in a galaxy far, far away,” its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy’s dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic “revelation” ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke’s maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks.

Years later, George Lucas transformed his films into “special editions” by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas’s decision to make the special editions the only versions available. –David Horiuchi

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2012/04/34791_General_Electric_51odyzWu3QL._SL160_

At Any Cost: Jack Welch, General Electric, and the Pursuit of Profit Review

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At Any Cost: Jack Welch, General Electric, and the Pursuit of Profit


Overview: “O’Boyle has researched and written a monumental book that should be mandatory reading for all CEOs and anyone concerned with concerns ethics.” –The Philadelphia Inquirer

“Superb . . . a spirited study of General Electric, and of its sometimes brilliant, sometimes bungling, but always ruthless boss, Jack Welch.”                               –Chicago Sun-Times

With convincing passionateness and meticulous research, Thomas F. O’Boyle explores the forces bottom General Electric’s growth to the capital of Wall Street, inquiring if GE, with head administrator officer Jack Welch at the wheel, is photograph “delivery commonweal thing to life.”        Welch–explosive, earnings-hungry, and pragmatic–catapulted GE’s stock to the cap, up 1,155 pct from 1982 to 1997. O’Boyle argues that these astounding outcome have seed only with the player damage of employee’ life, blighted under the Stalinism of “Neutron Jack” Welch, so named for his bomb-sort adaptability to eliminate newsroom without disturbing surrounding operation. During Welch’s reign, hard-nosed success maneuver–unblinking curtailment, ruthless incurring talks, and the virtual desertion of manufacturing in favour of the statesman glamorous amusement and financial services industry–coexist with scandal like terms-mending, befoulment, and defence declaration barratry. Sure to flicker contestation, this gripping, comp relationship begs the greater inquiry: Is Jack Welch’s GE a framework company for concern in the next quattrocento, or is it clip to modification the mode the universe does concern?

“Smoothly written and thoroughly researched.” –USA Today

“This book makes a valuable contribution to our understanding of corporate America. . . . Thomas F. O’Boyle persuades you that GE–Jack Welch’s GE–brings bad thing to ghetto. In teemingness.”         –Washington Monthly

From the Trade Paperback printing.No coeval concern soul has been so widely acclaimed as Jack Welch of General Electric. Welch’s transmutation of GE into i of America’s most profitable and swag companies has been chronicled already in several other book, most recently Jack Welch and the GE Way by Robert Slater. Now come author Thomas F. O’Boyle to takings Welch down an incisura–or deuce or trine. Where other book wholeheartedly endorse Welch’s gung-ho kind of leading, At Any Cost find much to abhor.

O’Boyle, an editor at the Pittsburgh Post-Gazette, holds Welch personally responsible for various outrages over the years at some of GE’s multifarious member, from contract barratry in its defense business (later sold) to faked clang trials of GM trucks on Dateline NBC. Welch’s single-minding devotion to successes drives his subsidiaries to cut corners, O’Boyle suggests, though the author offers little evidence to implicate Welch in these or other lapses by a few of GE’s 276,000 employees.

O’Boyle is actually solon interested in nailing Welch for many of America’s social job. He belief that biomass layoff at GE in the 1980s made retrenchment fashionable. GE’s barnburner in enriching shareowner encouraged other corporations to curry favour with Wall Street while ignoring their blow on the residuum of society. The issue have been catastrophic for many household and community. So eve in commonweal times, American worker are plagued by a cognizance of insecureness. O’Boyle implies that Welch’s pernicious mortmain tin be seen in the divorcement charge and eve in the psychosis that produced the bombardment of the Tulsa federal edifice.

Yet O’Boyle is not a class brave or know-nothing populist. He recognizes that the drive and ruthlessness of people cared Jack Welch have protected America from the economic stagnation of a Germany or Japan. Thorough in its reporting and finely written, At Any Cost is a plea for a kinder and soft corporate capitalism, i mindful of its social consequences. O’Boyle does not have all the answers, but he raise important questions. –Barry Mitzman“O’Boyle has researched and written a monumental authority that should be mandatary speed-reading for all CEOs and anyone concerned with concern ethic.” –The Philadelphia Inquirer

“Superb . . . a spirited survey of General Electric, and of IT sometimes brilliant, sometimes bungling, but always ruthless boss, Jack Welch.”                               –Chicago Sun-Times

With convincing passion and meticulous research, Thomas F. O’Boyle explores the forces behind General Electric’s rise to the top of Wall Street, inquiring if GE, with chief executive officer Jack Welch at the wheels, is pic “bringing full thing to life.”        Welch–explosive, net-hungry, and pragmatic–catapulted GE’s stock to the cap, up 1,155 percent from 1982 to 1997. O’Boyle argues that these astounding results have semen only with the actors set of employees’ lives, blighted under the tyranny of “Neutron Jack” Welch, so named for his bomb-like ability to eliminate staff without disturbing surrounding operations. During Welch’s ruling, hard-nosed barnburner maneuvers–unblinking downsizing, remorseless incurring negotiations, and the virtual abandonment of manufacturing in favour of the more glamorous entertainment and financial services industry–being with scandals variety terms-reparation, pollution, and defence declaration fraud. Sure to glint controversy, this gripping, comp account begs the greater interrogation: Is Jack Welch’s GE a model company for business in the next century, or is it time to change the way the world does business?

“Smoothly written and thoroughly researched.” –USA Today

“This authority brand a swag part to our discernment of corporate America. . . . Thomas F. O’Boyle persuades you that GE–Jack Welch’s GE–brings badness thing to ghetto. In copiousness.”         –Washington Monthly

From the Trade Paperback impression.

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2012/05/0419c_The_Great_Dictator__41nTwsYXO9L._SL160_

The Great Dictator (The Criterion Collection)

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The Great Dictator (The Criterion Collection)

Overview: In his notorious masterpiece, The Great Dictator, Charlie Chaplin (City Lights, Modern Times) offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin (in his first pure talkie) brings his sublime physicality to two roles: the cruel yet clownish “Tomanian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie (Thieves’ Highway, Lover Come Back) and Paulette Goddard (Modern Times, The Women) in stellar supporting turns, The Great Dictator, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned plea for tolerance.Since Adolf Hitler had the audacity to borrow his mustache from the most famous celebrity in the world–Charlie Chaplin–it meant Hitler was fair game for Chaplin’s comedy. (Strangely, the two men were born within four days of each other.) The Great Dictator, conceived in the late thirties but not released until 1940, when Hitler’s war was raging across Europe, is the film that skewered the tyrant. Chaplin plays both Adenoid Hynkel, the power-mad ruler of Tomania, and a humble Jewish barber suffering under the dictator’s rule. Paulette Goddard, Chaplin’s wife at the time, plays the barber’s beloved; and the rotund comedian Jack Oakie turns in a weirdly accurate burlesque of Mussolini, as a bellowing fellow dictator named Benzino Napaloni, Dictator of Bacteria. Chaplin himself hits one of his highest moments in the amazing sequence where he performs a dance of love with a large inflated globe of the world. Never has the hunger for world domination been more rhapsodically expressed. The slapstick is swift and sharp, but it was not enough for Chaplin. He ends the film with the barber’s six-minute speech calling for peace and prophesying a hopeful future for troubled mankind. Some critics have always felt the monologue was out of place, but the lyricism and sheer humanity of it are still stirring. This was the last appearance of Chaplin’s Little Tramp character, and not coincidentally it was his first all-talking picture. –Robert Horton

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2012/05/56200_ConocoPhillips_51y2BRIHvdeL._SL160_

Sarah takes on Big Oil: The compelling story of Governor Sarah Palin’s battle with Alaska’s ‘Big 3′ oil companies, as told by the state’s top oil and gas editors

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Sarah takes on Big Oil: The compelling story of Governor Sarah Palin’s battle with Alaska’s ‘Big 3′ oil companies, as told by the state’s top oil and gas editors

Overview: About the Book
Sarah takes on Big Oil: The compelling story of Governor Sarah Palin’s battle with Alaska’s ‘Big 3’ oil companies, as told by longtime Alaska oil and gas writers, Kay Cashman and Kristen Nelson.
Alaska Governor Sarah Palin’s nomination as the vice presidential running mate of John McCain launched Palin and her family into worldwide renown.
As people seek to learn more about Palin, a recurring question emerges: What is Palin’s record as an administrator, and more particularly, how did she meet the challenge of balancing the interests of the people of Alaska against those of Alaska’s three major oil and gas producing companies?
“Sarah takes on Big Oil” by Kay Cashman and Kristen Nelson delivers the story of Palin’s record in dealing with BP, ConocoPhillips and ExxonMobil as governor of Alaska. This book is a must read for those who seek to understand Palin’s qualifications for national leadership.
“Sarah takes on Big Oil” illuminates Palin’s rise to power in Alaska, along with her concrete successes and failures in dealing with the industry that is the lifeblood of the state’s economy.
A stunning eight-page color insert with photos of Alaska’s oil industry by noted Alaska photographer Judy Patrick graces the center eight pages of the book.
Patrick, a personal friend of Palin, was a Wasilla city councilwoman when Palin was mayor. More Patrick photos appear inside the book.
Also included in the book is a map of Alaska showing major points of interest, such as the trans-Alaska oil pipeline.
Unlike many articles that have appeared in the news since Palin became McCain’s running mate, “Sarah takes on Big Oil” is a factual account from the editors of Alaska’s only standalone oil and gas publication. Neither author is a Republican. Neither author has a private agenda to discredit or promote Palin.

About the Authors
Kay Cashman and Kristen Nelson are uniquely qualified to tell the story of Sarah Palin and her dealings with the oil and gas industry in Alaska. With years of experience providing journalistically balanced and fair coverage of industry in Alaska, Cashman and Nelson have a rare grasp of the nuances of the state’s oil and gas issues.
Cashman is the publisher and executive editor of Petroleum News—an independent news-driven weekly. She knows the people in Palin’s story.
Nelson, editor-in-chief of Petroleum News, has maintained a long-time eye on Alaska government and its interactions with the state’s most lucrative industry.
Cashman and Nelson bring a perspective rarely available to general news reporters. As a result, “Sarah takes on Big Oil” is a good read, full of interesting personalities and verifiable facts—facts which back up the compelling story of Alaska’s first female governor.

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2012/05/769fa_City_Lights__51VlGIkQxPL._SL160_

Bright Lights, Big City

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Bright Lights, Big City

Overview: Michael J. Fox, Kiefer Sutherland, Phoebe Cates. A disillusioned young fact-checker living in the City that Never Sleeps turns to drugs and drinking to wash away the memories of his deceased mom and estranged wife. Based on the novel by Jay McInerny. 1988/color/107 min/R.Michael J. Fox plays the most sympathetic cocaine addict you’ve ever seen in the movie of Jay McInerney’s popular novel Bright Lights, Big City, the book that famously chronicled the coke- and cash-fueled era of the 1980s. Jamie Conway (Fox) works as a fact-checker for a major New York magazine, but because he spends his nights partying with his glib best friend (Kiefer Sutherland), he’s on the verge of getting fired. His wife, a fast-rising model (Phoebe Cates), just left him; he’s still reeling from the death of his mother (Dianne Wiest) a year earlier; and he’s obsessed with a tabloid story about a pregnant woman in a coma. Bright Lights, Big City doesn’t have much of a plot, but in its meandering way it captures some of the glossy chaos of the time and of a man desperately trying to escape the pain in his life. –Bret Fetzer

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2012/05/f2013_Sex_Pistols_51FTDX31ABL._SL160_

Never Mind the Bollocks, Here’s the Sex Pistols (US Version)

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Never Mind the Bollocks, Here’s the Sex Pistols (US Version)

Overview: 12 tracks including God Save The Queen and Anarchy In The U.K. Disc is scuffed but plays OK – graded just FAIR.Recognizing that there’s no such thing as bad publicity, manager-Svengali Malcolm McLaren molded the Pistols into the most confrontational, nihilistic band rock & roll had ever seen. Propelled by Johnny Rotten’s maniacal vocals, Steve Jones’s buzz-saw guitar, and (most importantly) bass player Glen Matlock’s hook-filled compositional skills, the Pistols’ early singles “Anarchy in the U.K.” and “God Save the Queen” defined the raging style of British punk. By the time they recorded their lone 1977 album, Matlock had been bounced, replaced by the image-correct but utterly untalented (and ultimately group-dooming) Sid Vicious. Not a 10th as good as the singles, the album nontheless remains a bile-filled emblem of the times. –Billy Altman

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2012/05/8b0bb_Eva_Longoria_Parker_51IM0x46xVL._SL160_

Over Her Dead Body

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Over Her Dead Body

Overview: Eva Longoria Parker (TV’s Desperate Housewives) stars in this devilishly funny romantic comedy about holding onto the ones you love…even after you’re gone. When Kate (Longoria Parker) is killed by an ice sculpture on her wedding day, her fiancé Henry (Paul Rudd, Knocked Up) gives up on romance until he falls for the beautiful psychic (Lake Bell, TV’s Boston Legal) who’s supposed to be helping him move on. But Kate’s not having it, and she’s going to do whatever it takes to send their budding relationship six-feet-under.

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2012/04/2405d_U2_51YN3TTDEaL._SL160_

U218 Singles Review

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U218 Singles


Overview: U218 Singles is the first bingle-platter collection – includingxviof their outdone-known songs. Also included are 2 brand-new tracked recorded with producer Rick Rubin at Abbey Road Studios in London: “The Saints Are Coming” (with Green Day) and “Window in the Skies.”Whittling down the back catalog of one of the most popular and respected bands of the finale one-fourth-century to a bingle-record collection is bound to inspire argument and dissent from the fans and faithful over what is included–and all that gets left behind–and U2′s 26-twelvemonth career is as celebrated and beloved as any band of their generation. U218 Singles doesn’t try to please everyone, wisely sticking to the acknowledged grades points (and there are many) between 1983′s War and 2004′s How to Dismantle an Atomic Bomb. Nitpickers may quibble that the collection leans too heavily on the band’s most popular albums and skips the (admirable if LE anthemic) techno-pop tangents of Zooropa and Pop and the arles energy of the Boy/October years, but the musical majesty accumulated here testifies to the undeniable power and emotion U2 tin muster in a four-Min pop song. Two new Rick Rubin-produced tracks don’t break new ground for the band, but both would fit snugly somewhere in the U2 canon–”Window in the Skies” is pure late-play orbit rock with a typically towering falsetto chorus, while Green Day help inject some October-epoch urgency into “The Saints Are Coming”. The sum of theseXVIIItracks is a former-charge primer, perfect for that 10-year-yesteryear niece or nephew who thinks U2′s big break was that iPod commercial. –Ben Heege

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  • U2 18 SINGLES



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